Smashn'
Group Reflection
Shapes are always inside other shapes, large circles have squares on the inside, large squares and large triangles have circles inside of them. Everything inside of the painting is pretty much all crazy and everywhere (although they go together when looking closely). It is all shapes incorporated together.
It looks like confetti. There are blue and orange checkers in the background and there are two shades of every color (two blues, two oranges, two reds, and two greens), Triangles point towards others either in the painting.
With the bass, we tried just making it go fast and have a pattern that could follow along with the piano and work to have a fast rambling rhythm. The piano was behind the bass and we wrote it all in the bass scale so it could work together in the music. We were just writing to see it as the piece of art, going around fast and being kind of whacky.It sounds like it is going around the place and has no common order, although it will be working in the part of music. It seems kind of like a party with a whole bouncing-around rhythm. This is a crazy piece of music with other notes (shapes) working around the whole song as a structure.
The music is working together in the piece although it is a fast paced piece of work going around with one another. The bass is just going around in the idea that it is fast paced and is rambling around the whole music. It was the other shapes spinning around with one another and going with every other note in order. The piano was behind the whole bass and was going below the basses standard as a more classical type piece. We just wanted the bass to be running through the piece, while the piano just walked upon the piece right behind the rest. It reflects the idea of other instruments being in other parts of instruments, while working together in the piece.
From the beginning we actually created the piano first in which, although it was pretty crazy (the art), it was very fast paced and worked its way through scales in the music. In the middle we revised it to also have a bass so that it would now create the really fast paced music that was ripping through the song. This whole part was just coming together in our minds that we had both written in the bass scale so they could correspond with one another. Finally at the end, we created the ending bass fill because we felt as if it would be a good fade to the song. It seemed as if it would just be working in the piece to finally end the craziness of the artwork.
We pretty much just tried to look for a crazy piece that could be rambling through the song, leading a thumping rhythm between each stop in the piano. The piano part of the song corresponded with the bass in that it created small-pieces of the song that could fill gaps that worked perfectly, such as the part in the smaller shapes of the artwork we had to look upon.
It looks like confetti. There are blue and orange checkers in the background and there are two shades of every color (two blues, two oranges, two reds, and two greens), Triangles point towards others either in the painting.
With the bass, we tried just making it go fast and have a pattern that could follow along with the piano and work to have a fast rambling rhythm. The piano was behind the bass and we wrote it all in the bass scale so it could work together in the music. We were just writing to see it as the piece of art, going around fast and being kind of whacky.It sounds like it is going around the place and has no common order, although it will be working in the part of music. It seems kind of like a party with a whole bouncing-around rhythm. This is a crazy piece of music with other notes (shapes) working around the whole song as a structure.
The music is working together in the piece although it is a fast paced piece of work going around with one another. The bass is just going around in the idea that it is fast paced and is rambling around the whole music. It was the other shapes spinning around with one another and going with every other note in order. The piano was behind the whole bass and was going below the basses standard as a more classical type piece. We just wanted the bass to be running through the piece, while the piano just walked upon the piece right behind the rest. It reflects the idea of other instruments being in other parts of instruments, while working together in the piece.
From the beginning we actually created the piano first in which, although it was pretty crazy (the art), it was very fast paced and worked its way through scales in the music. In the middle we revised it to also have a bass so that it would now create the really fast paced music that was ripping through the song. This whole part was just coming together in our minds that we had both written in the bass scale so they could correspond with one another. Finally at the end, we created the ending bass fill because we felt as if it would be a good fade to the song. It seemed as if it would just be working in the piece to finally end the craziness of the artwork.
We pretty much just tried to look for a crazy piece that could be rambling through the song, leading a thumping rhythm between each stop in the piano. The piano part of the song corresponded with the bass in that it created small-pieces of the song that could fill gaps that worked perfectly, such as the part in the smaller shapes of the artwork we had to look upon.